Directing your first film is always a great experience challenge. The process of getting your first film on the big screen can end in tears when they fall within the scope of the producer and the budget and schedule.
A budget is simply a list of all the things and people you need and how much money needed to pay for it. A calendar is a list of dates and times you need the material. Both are incredibly time consuming to produce, but without a budget and schedule, it is very difficult to make your movie.
Even with a film without a budget, you will still need a list of things and people you need, and to present a schedule of when and where you need to.
Brass really affects the budget of the film.
Here?s a handy list of items that cost money, and can easily spiral out of control when you?re not careful. Most of these traps are a lack of long-term planning.
First The funds for the development
When entering a film production must be purchased and paid for the copyright. At this point gave the producer the rights of scripts totaling all the money in the state to monitor and issue an invoice when the production team to the money they have paid, plus a profit.
Expenses for travel, accommodation and entertainment in places like the Cannes Film Festival, location scouting, casting agents? fees and that?s bizarre. ? General Office ?and of course the option fee paid to the writer, insurance, banking and legal fees date.
This can easily spiral out of control, and when the final production budget in the bank, less development costs, administrators have an unpleasant surprise. Board of Directors may have no choice but to cut the pages of the script.
I know of two different writers / directors, which found that was about 10% of its production budget by adding small amounts are swallowed with the development budget.
Make sure you keep control of the development budget.
Second The director of photography
Choose the right camera man (or not) really have an impact on your budget.
Some DoPs will literally take over the production for you, blocking scenes in a hurry to get the plans completed prior to wrapping. This can lead to a war between the cinematographer and director. Such a conflict can ruin the morale on the set and take the next shooting unbearable. But at least the film will be shot in this scenario.
Dops others are so eager to please, they fall back to every whim of the director without the benefit of criticism, but professional courtesy. The resulting film is meandering and can quickly fall day delay costly. (See No. 10)
Third Location Location Location
Whenever you move from one place to another, the cost of rockets. Therefore, the generally low to shoot a movie with no money in a place like Paranormal Activity. If you urgently need a second location, where, after a two-to-one, namely, the facade of a house such a place and back garden can be used as very different.
4th Casting Agent
There are two factors here:
First, a casting agent is qualified to save a fortune, which is good.
Secondly, to fantasize often about casting directors, until it is too late, and hire a casting director in order to avail of the prison. The money will be thrown down the drain.
5th Let?s Fix It In Post
Every time I hear a director say, ?We will fix them once in office,? I cringe. I worked on 68 features and over 700 commercials. Whenever the Director has made that choice on a set, heads would roll a couple of days in the post-production, the budget would start to flicker.
A director who believes a kind of post-production miracle can save shooting is sloppy and lazy, finally, a director expensive.
6th Music
Including unsettled music in a film is probably the most expensive mistake that can do a film maker. In the past 20 years, I have so many bad experiences with festival films that have fired at the last minute, because the filmmakers about whether the music was authorized or did not lie. We even had a case when the agent was pushing was a movie, because it is a ditty like ?The Girl from Ipanema? in it had (not deleted). Needless to say, this movie is not for sale.
7th Restoration
It is as obvious as you are probably wondering why it is on this list. The problem is that nobody ever thought of the cost of chili and beans are Mom and Pop to cook is, or the cost of cutlery and plates. It was not long before you miss a good part of your budget, and decide whether the entire team and the team can serve the next three weeks on nothing more than white rice, or cut a particular movement to save the budget restoration.
Once I spent 2 1/2 weeks on white rice and I can tell you ? it was a very unpleasant experience.
8th Insurance
If I had a dollar for every time we panic afternoon is desperate for a phone number as a filmmaker insurance magic I prefer the south of France.
No one is thinking of the insurance at the time, budget for them correctly. And you almost always need at some point in the process.
9 Transport
I?m sure your producer has allocated for the car and van rental required with fuel costs, taxes and duties. But what is added to gasoline or taxi fees to bill cast and crew? I had this situation last week when I agreed to the tax office, but when the bill came, he took a taxi bill of Whopper. To the question I was asked how else the material would pass.
10 Report Shooting
In the good old days of celluloid was all about the report of the shooting. Since the film and the treatment was so expensive, kept producers, directors and cinematographers like a hawk on the relationship between images and uses the finished film. Most independent films were shot on a ration of 5.01 bis 10.01 clock. Ie: the ratio of 5:1 means that 5 minutes worth of film was used in order to cover every minute of airtime.
In the digital age, image capture and storage is so cheap that some directors shoot several times ? as much as 100:1. Can you imagine the challenges of working 100 hours in a one-hour photos done one?
Shooting ratios prices are not smart, absolutely. But they sure are expensive.
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